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>>347087
>"it looks like shit" is not constructive criticism.
It bears a passing resemblance to constructive criticism in that it is meant as advice -- in this case, the advice being to "stop doing that you're making my eyes hurt". But it's true that it's rather mean to deprive Theta of a proper explanation and following advice, and so I'll begin.
>And it actually doesn't look bad at all.
It wouldn't look very bad -- to /me/, mind you -- if it wasn't shaded so awfully. There's apparently a bright light source behind the girl, but the shadows on her body are anything but as highly contrasting as I'd expect from something that's brightly lit from one side and in relative darkness on the other. And then there's the problem that the shading itself fails to convey any actual sense of shape. Looking at it feels more like I'm witnessing an airbrushed excuse rather than something like real shading.
Now, mind you again, that's not necessarily a bad thing. I used to do this kind of bad shading too, and I wouldn't doubt if I fuck up my lighting more than once in a while. My further advice, then? Lo:
Don't be afraid to use contrast in shading. I used to hang out in Flockdraw and a more experienced painter than I came along one day, saw my strained efforts at painting, and told me that I needed to use more contrast between the shadows and the background and foreground of my pictures, and by God, he was right. And on a similar note, be bold and don't be afraid to try new things, because when you inevitably cock it up, kind of like I'm probably doing in my efforts to help you, it will be more apparent and more motivating to fix. Back on track. Read this tutorial: http://hippie.nu/~unicorn/tut/xhtml/#basics-lightshadow
And watch how the light plays off of objects in real life too, because real life harbors examples that you won't see anywhere or anywhen else. Yes, I'm aware that you've probably already heard that spiel a billion times, yes, this is generic advice, but it's important, essential. Read it again, read the tutorials again, study real life again and again. To an extent, of course -- one must have time to let his imagination roam, as well. But do not be afraid to study.
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